Fine art by Jason Hill
www.jasonhilldesign.com 
        Interviewed by Alison King 
      Gallery 1 | Gallery 2 | Gallery
        3
       
       People seem to enjoy images that have some kind of familiarity
      to them. That's one reason why the local architecture pieces are
      so attractive to people. Also, I think the the "mid-century" imagery
      provides a certain cool mystique that has just amplified over time-
      a kind of James Bond or Rat Pack aesthetic that has been perpetuated
      and seems to be universally enjoyed by everyone. But, I try to
      put a contemporary spin on it and not let the work become overly
      nostalgic.
      People seem to enjoy images that have some kind of familiarity
      to them. That's one reason why the local architecture pieces are
      so attractive to people. Also, I think the the "mid-century" imagery
      provides a certain cool mystique that has just amplified over time-
      a kind of James Bond or Rat Pack aesthetic that has been perpetuated
      and seems to be universally enjoyed by everyone. But, I try to
      put a contemporary spin on it and not let the work become overly
      nostalgic.
       
       
       I was born in Southern California in 1969. In my early years
      I was kind of a skateboarder kid. I lived in San Diego and Santa
      Monica and Long Beach. By the 80's my family moved up to Bend,
      Oregon — a ski town. In '89 I moved over to Eugene to study art
      and graphic design at the University of Oregon. When I started
      design school, nothing was done on a computer. I mean, we're talking
      T-squares and rubylith! I had been drawing and doing pen & ink
      stuff all my life, so I was a good draftsman. The school only taught
      computer design programs for the last year I was there- If I had
      graduated a year earlier my design degree wouldn't have been worth
      anything.
      I was born in Southern California in 1969. In my early years
      I was kind of a skateboarder kid. I lived in San Diego and Santa
      Monica and Long Beach. By the 80's my family moved up to Bend,
      Oregon — a ski town. In '89 I moved over to Eugene to study art
      and graphic design at the University of Oregon. When I started
      design school, nothing was done on a computer. I mean, we're talking
      T-squares and rubylith! I had been drawing and doing pen & ink
      stuff all my life, so I was a good draftsman. The school only taught
      computer design programs for the last year I was there- If I had
      graduated a year earlier my design degree wouldn't have been worth
      anything. After graduating I moved to Portland and worked for a bunch of different advertising agencies like Weiden & Kennedy. Eventually I spent some time at Nike in their Asia/Pacific department designing store graphics for Tokyo, Hong Kong, Sydney and everywhere in between.
My favorite project was the stuff I did for the 2000 Olympics. I moved to Phoenix a few years ago to escape the rain. Last August I did my first solo show in town at MonOrchid Gallery titled "Retro-Futurism, The Art and Design of Jason Hill." I displayed about 20 paintings, some digital collages and a numbered edition screenprinted poster. Since then I've been showing every First Friday at Untitled Gallery on 5th Street just a block or two from there. This month I'm also exhibiting some work in Palm Springs at Thomas Gallery on Palm Canyon Drive.
Some of my other recent projects include Illustrating a national billboard campaign for Johnnie Walker and working on a restaurant brand design with local design firm Blenderhaus. I knew I would be an artist at a very early age. My family recognized my talent early on and gave me lots of encouragement. I've never really thought I would do anything else. We didn't own a TV set until I was 16, so I spent a lot time playing outside, reading and drawing. I've always loved looking at art- paintings, photos, anything- even comic books were an influence.
My all time favorite painter has to be Dalî. He's just so amazing- his entire life was performance art. I once had a dream that I met him. In the dream I knelt down before him and kissed his hand! My grandfather was a portrait painter. He painted a bunch of portraits of generals that are hanging in the Pentagon and he did one of Lawrence Olivier. Dalî painted Olivier too... I guess that means I have less than six degrees to Dalî!
Gallery 1 | Gallery 2 | Gallery 3